The Perplexing Origins of “Pocket Chiller Library” – and a series checklist

Pocket Chiller Library Montage

Thorpe & Porter and Top Sellers were both imprints of publisher Williams. Between 1971 and 1977, Top Sellers published Pocket Chiller Library, running to 137 issues, but there are plenty of questions circulating online about the title’s origins and exactly what it featured – reprint European strips or commissioned material from British creators?

I decided to ask several of those noted as working on the title. In particular, it was Dez Skinn, who worked on the series, as he outlines here on his official web site, who kindly provided some background.

“There was a charming rogue named Lee Moncho,” Dez recalls, a longtime editor and publisher who many downthetubes readers will recognise as the man who re-shaped Marvel UK and was later the editor of WARRIOR. “Spain seems to have produced quite a few of such in the comics biz.

“Already having several print connections, he acquired multiple sets of artwork for picture libraries, war, detective, horror, etc.

“Combining these with his print contacts, he offered finished monthly products to several publishers across the 1960s and 1970s. I ended up ‘editing’ one such line, for the aforementioned Top Sellers/Thorpe & Porter/General Books.

“Like Funny Half Hour which was also under my auspices, each was a finished package so I’d nothing to do really, although I did run a set of taglines (an idea nicked from early 1960s Marvels) and a back cover ad, promoting Monster Mag and House of Hammer magazine.”

Dez would have further dealings with Lee Moncho when he set up Quality Periodicals, detailed here.

Photo courtesy Dez Skinn
Dez Skinn's edit to Pocket Chiller Library to promote titles such as Monster Mag and House of Horror. Photo courtesy Dez Skinn
Dez Skinn’s edit to Pocket Chiller Library to promote titles such as Monster Mag and House of Horror. Photo courtesy Dez Skinn

Issues 1 and 2 of Pocket Chiller Library were published by Alex White & Co Ltd, based in James Street, London. From Issue Three, the publisher was Top Sellers, but downthetubes contributor Colin Noble notes that towards the end of the run, the company was either sold or given to Wells Gardner, Darton & Co publishers, in lieu of unpaid debt, as a number of their Pocket War Library were reprinted as Micron Combat Picture Libraries. He also notes that at least three of the stories are based on true crimes.

Pocket Picture Library #1. "The somewhat uninspired typography out of a flat colour background on the covers was because the Spanish packagers were selling different language editions," notes Dez Skinn, who worked on the series, "and wanted easy word changes to the covers for each translation (ditto the often ill-fitting typeset balloons inside). Had the words been reversed out of the cover artwork it would have been far trickier. Horrible compromise though."
Pocket Picture Library #1. “The somewhat uninspired typography out of a flat colour background on the covers was because the Spanish packagers were selling different language editions,” notes Dez Skinn, who worked on the series, “and wanted easy word changes to the covers for each translation (ditto the often ill-fitting typeset balloons inside). Had the words been reversed out of the cover artwork it would have been far trickier. Horrible compromise though.”

Pocket Chiller Library appears to have reprinted Italian material in some issues, which would fit with Williams pan-European publishing operation and deal with Lee Moncho, and the title was, according to a past discussion on ComicsUK, initially printed initially in Italy for the first 26 issues, then in Spain.

Collector Jon Smit notes a couple of the Chiller stories were previously published before in the short-lived title Nightmare Suspense Picture Library, published by MV Features between 1966 and 1967, which ran for just 16 issues. Pocket Chiller Library Issue 23 “Followers of Satan” originally debuted as Nightmare Suspense Picture Library Issue 7, “The Devil’s Disciple”, utilising the same cover art.

David Roach notes the artists commissioned to create new work were typically Spanish, “people like Borrell and Nieto wth some covers by Fernando Fernandez.

“While there is definitely some new British material – including covers by Allan Willow, the bulk of the art is Spanish reprints. I’ve never linked any of these numerous reprints to a specific Spanish source, but I’d guess it was likely to be a minor publisher like Toray. The search goes on!”

Steve Holland notes that Badia Romero also drew some issues, and wonders if UK-based art agent Barry Coker was agenting these directly to Top Sellers or to Euredit in Spain.

UK commissioned material includes art by 2000AD “Ballad of Halo Jones” artist Ian Gibson drawing “The Rope” (Issue 56), “The Bat” (Issue 60) and “The Kolby Curse” (issue 72).

Dave Gibbons has confirmed he drew #43, “The Dead Are Awake And Walking” – and that this was his first paid comics commission. “It’s awful,” he cautions!

Art by Ian Gibson from Pocket Chiller Library Issue 60, "The Bat"
Art by Ian Gibson from Pocket Chiller Library Issue 60, “The Bat”

We’ve now separated out our Pocket Chiller Library checklist over three separate listings and we hope it brings back memories for some of you… chilling ones!

Follow the links below… if you dare…

John Freeman

Pocket Chiller Library – Main Feature

Checklists: Issues 1 – 49 | Issues 50 – 100 | Issues 101 – 137

Additional information welcome! This feature and listing last updated 31st August 2021

For those of you trying to puzzle out the history of the many British pocket library titles and publishers, Steve Holland notes that just to add to the confusion, a lot of pocket libraries were packaged abroad and sold around Europe (France, Germany, Spain, etc.), so there is still a lot of questions about whether some pocket libraries were reprints – or were actually published here in the UK first!

WEB LINKS

Grand Comics Database – Pocket Chiller Library Listing and Covers

Nightmare Suspense Picture Library – Listing and Covers

With thanks to Dave Gibbons, Steve Holland, Rik Hoskin, Chris O’Leary, Douglas Noble, the much-missed Colin Noble, Steve Pini, David Roach, the indispensable Richard Sheaf, Dez Skinn and Jon Smit – and thanks also to the WordPictureWord Group for sending me down this rabbit hole!

The founder of downthetubes, John works as a comics editor, writer, as Creative Consultant on the Dan Dare audio adventures for B7 Media, and on promotional work for the Lakes International Comic Art Festival. Working in British comics publishing for over 30 years, his credits include editor of titles such as Doctor Who Magazine, Star Trek Magazine and Babylon 5 Magazine. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War and “Dan Dare”. He’s the writer of “Crucible”, a creator-owned project with 2000AD artist Smuzz, published on Tapastic; and “Death Duty” and “Skow Dogs” with Dave Hailwood for digital comic 100% Biodegradable.



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4 replies

  1. It should also be noted that the same story could appear in different issues under different titles.
    #28: The Hunchback and #87: Gibbet of the Damned for instance are the same story.

  2. I’ve been chatting with Paw Broon over at Comic Book + about the source of some of this art. He sent me several Pocket Chillers and I recognized Enrique Nieto, who drew a lot of stories for Charlton Comics (USA) in the 1970s. Nieto was one of the members of an Argentinian shop, the Union Studio.

    This sent me on a Google journey through Spanish language comic sites looking for background on Union Studio. Oddly it was difficult to find much information. I say “oddly” because the shop supplied tons of art for European and American publishers. Its story demonstrates the convoluted world of international comics of the 60s and 70s.

    Union Studio was established by Julio Cesar “Chiche” Medrano, a respected and prolific artist known for publishing under countless pseudonyms. Medrano drew mostly war stories, and contributed to Fleetway for several years. Union Studio artists I’ve found named are Enrique Nieto, Jose Luis Garcia Lopez, Oscar Fraga, Quique Alcatena, Walter Taborda, Pedrazzini, Eduardo Risso, Antonio Reynoso, Walter Casadei, Cirilio Munoz, Oscar Novelle, and Jose Massaroli. The “Martinez” who drew some Charlton stories was apparently Medrano himself.

    The studio seems to have worked for British, German, Italian, and American publishers as well as Argentine magazines. Foreign clients included DC Thomson, Colomba, Record, Charlton, Gold Key, DC comics, and Universo (Italy). One odd sideline was supplying new art for a notorious American line of ultra-violent b&w horror comics published by Myron Fass’ Eerie Publications. These books presented stories pirated from second-banana 1950s horror comics, newly redrawn to maximize the gore. The Studio’s American contact (there may have been more than one) was Argentine artist Arnoldo “Francho” Franchioni. Francho also drew for Fass’ infamous “Captain Marvel” comics.

    Passing into speculation, it seems possible that the studio’s Pocket Chiller Library material might have been commissioned directly by the British publisher. Alternatively they might have been reprints of Italian mags of the “Oltretomba” variety. However the only Italian publisher named in the articles I found was Universo, which published adventure and sport comics but not horror. There were dozens of 1970s Italian horror titles, though. It’s quite possible Union Studio drew stories which later found their way to England.

    Sorry for wandering off and on to topic, but I wanted to get what little I know out there and invite anyone with knowledge of Union Studio to join in. It could help illuminate the Pocket Chiller pedigree.

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