Turkish cartoonist Zehra Ömeroğlu was finally presented with the Robert Russell Courage in Cartooning Award 2025 at the Lakes International Comic Art Festival this weekend.
Human Rights NGO Cartoonists Rights announced Zehra as the recipient of the award earlier in the year in Washington, DC at a special event marking World Press Freedom Day, but she was unable to accept the Award in person.
Following the publication of a cartoon in the Turkish adult humour magazine LeMan magazine in November 2020, Ms Ömeroğlu, currently based in Europe, has been the subject of an ongoing criminal prosecution in Turkey, on the grounds of “obscenity”. The maximum penalty is three years in prison.
Proceedings began against her in 2022, while Türkiye was still contending with the COVID-19 pandemic. Summoned to a police station, she initially thought that they wanted to speak to her about a cartoon that had been attracting many negative comments, including threats to her safety, and portraying hijabi women in Iran. Failing this, there was a possibility that the matter was one of her cartoons about President Erdoğan, a notorious persecutor of cartoonists (most notably, Robert Russell Courage in Cartooning 2005 awardee, Musa Kart).
Instead, she was surprised to learn that the cartoon to be discussed was her “taste and smell” gag panel, an adult cartoon comment on well-known aspects of COVID; a piece that according to her own account has caused amusement and even gales of laughter in every setting, from police interviews to court rooms.
In the years that followed, a protracted legal process has failed to reach a definitive conclusion. Although finally accquitted in June, Turkish prosecuotors still sought to overturn that decision. However, the effects have been deleterious on Ms Ömeroğlu’s physical and mental health as well as her prospects.
Currently living in Europe, she considers her career in Türkiye destroyed, as even a suspended sentence handed down would curtail her freedom of expression, carrying with it the possibility of even harsher penalties were she to commit another alleged crime.
Even within the context of the pandemic and the judicial backlog that resulted all over the world, the prosecution of Zehra Ömeroğlu has been extraordinarily sluggish, and marked by tenuous if not ridiculous delays. On one occasion, the judge simply failed to attend. On another, the court sought an “expert opinion” on the cartoon with less then 24 hours’ notice.
When finally and officially designated as “obscene” in a report issued March 2024 by the Türkish Ministry of Family, Labour and Social Services, Directorate of Child Services’ Board for the Protection of Minors from Obscene Publications, Cartoonists Rights responded, saying: “We take great exception to the way in which Ömeroğlu’s work is characterised, with a definition that is indistinguishable from that of pornography.”
Journalist Barış Pehlivan noted “either my eyesight has deteriorated, or the board members can detect the invisible with their special powers.”
Cartoonists Rights argues Zehra Ömeroğlu’s cartoon may be many things – bawdy, raunchy, rude – but it was published in a well-established adult humour title, alongside and in sequence with many other such cartoons. To suggest it imperils children in any way is outrageous.
Türkiye has a long and storied history of cartooning as rich and vibrant as the most celebrated European traditions, a scene that has deteriorated under Recep Erdoğan and the mounting authoritarianism and patriarchal, nationalist, and sectarian attitudes that have been the hallmarks of his presidency. Cartoonists Rights has highlighted multiple instances of cartoonists targeted, from the three prosecutions and ultimate imprisonment of Musa Kart to the pressures on such magazines as Gırgır, LeMan and Penguen, and the brutal harassment of Dogan Güzel.
Cartoonists Rights’ Executive Director, Terry Anderson said earlier this year: “I’m delighted our Board of Directors chose to honour Zehra this year, especially as we witness the change that is unfolding in Türkiye. In our view, her prosecution is based wholly on her gender; the same cartoon, in the same space and at the same time with a male byline simply would not have attracted the same (over)reaction from state censors. Like many outspoken women in Türkiye, Zehra has been deliberately persecuted but this attempt to silence her has wholly backfired. As a direct result of her prosecution, Zehra’s cartoons are now seen in international media on a regular basis and her story will soon be told in a new graphic novel project that she’s working on right now. We commend her bravery and resilience, and above all her undaunted sense of humour.”
Speaking when she was announced as winner of the award earlier this year, Zehra Ömeroğlu said: “My heartfelt thanks to Cartoonists Rights and all its partners. Thank you for encouraging me to keep drawing despite all the difficulties. I’m so happy to receive this award. It’s really important to me.”
Two partner organisations on both sides of the Atlantic combine forces with a unified program of international awards, recognising the world’s bravest cartoonists facing threats to their freedom of expression: the Robert Russell Courage in Cartooning Award (in odd years, awarded by Cartoonists Rights, Washington, DC); and the Kofi Annan Courage in Cartooning Award (in even years, awarded by Freedom Cartoonists, Geneva).
Cartoonists Rights was founded by Bro Russell in 1999 as a nonprofit organisation to protect the rights of editorial cartoonists under threat. The organisation was the first global whose core purpose is the protection of cartoonists rights in the pursuit of freedom of expression without fear.
If you appreciate the need for cartoonists to continue to speak truth to power please join their campaign as a Cartoonist Defender follow our socials below and if you are able to; make a donation to help the cause.
Cartoonists Rights is online at cartoonistsrights.org
The Freedom Cartoonists Foundation supports professional editorial cartooning as an essential part of civic debate. They stand for a free press as a pillar of democracy and of which political cartoons are a vital element. Through their actions, they defend freedom of speech in a spirit of dialogue.
The Foundation pursues its mission through two main activities: the biennial International Cartoonist Award, accompanied by a cartoon exhibition, and the Support Fund for threatened editorial cartoonists. They also organise educational projects aimed at fostering creativity, tolerance and an understanding of human rights.
• Freedom Cartoonists is online at freedomcartoonists.com
• Follow Zehra Ömeroğlu on Instagram
Head downthetubes for…
• Cartoonist Zehra Ömeroğlu: “We were left with dry, empty pages”
In an interview for FreeMuse in July 2025, Ömeroğlu explains how humour, intended to lighten tough times, has become a target in Türkiye amidst increasing intolerance and political polarisation. She highlights the gendered double standards she faces, receiving harsher judgment compared to her male colleagues.
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John is the founder of downthetubes, launched in 1998. He is a comics and magazine editor, writer, and Press Officer for the Lakes International Comic Art Festival. He also runs Crucible Comic Press.
Working in British comics publishing since the 1980s, his credits include editor of titles such as Doctor Who Magazine and Overkill for Marvel UK, Babylon 5 Magazine, Star Trek Magazine, and its successor, Star Trek Explorer, and more. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics; and has edited several comic collections and graphic novels, including volumes of “Charley’s War” and “Dan Dare”, and Hancock: The Lad Himself, by Stephen Walsh and Keith Page.
He’s the writer of comics such as Pilgrim: Secrets and Lies for B7 Comics; “Crucible”, a creator-owned project with 2000AD artist Smuzz; and “Death Duty” and “Skow Dogs”, with Dave Hailwood.
Categories: Comics, Creating Comics, downthetubes Comics News, downthetubes News
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