How I Got Used to digital comics “Guided View” – and it’s all down to Shang Chi, Master of Kung Fu!

Special Marvel Edition #16 featuring The Hands of Shang-Chi, Master of Kung Fu

I was away on a long course for a full week recently, so began reading quite a lot of comics digitally again. US publisher Marvel had a large and outrageously priced sale recently and I picked up loads of old favourites. At 69p for a trade that can often be twenty odd quid in a physical format, I found it hard to resist…

Now as anyone who has met me for even the smallest moments knows I am a huge fan of Marvel’s Master of Kung-Fu,  a character that epitomises, for me, the strengths of the Bronze Age. A period when comics became my entire world.

So after buying all the issues, often multiple times, the hardback and having ordered the soft cover I decided to try buying it digitally and seeing how it held up in guided view.

I’m a convert to digital comics. The reason that I finally caved came for a number of reasons. I’ve been sent a lot of comics for review digitally, so I’ve gotten used to reading them this way. I have also been on the road a lot with work and it’s an easy option to have a tablet full of comics rather than a suitcase.

So I decided to re-read Special Marvel Edition #16 featuring The Hands of Shang-Chi, Master of Kung Fu (yes,that was the title), a comic that I have looked at many times but never in “Guided View“, the reading format available via the Amazon-owned Comixology app, among other digital delivery options they produce. (The issue is part of Master of Kung Fu Epic Collection: Weapon of the Soul (Master of Kung fu (1974-1983) collection, released just last month).

That panel by panel at a swipe reading experience is now also a reading experience I have now become used to.

Published in early 1974, the comic was written by Steve Englehart with art by Jim Starlin and Al Milgrom, with colours by Linda Lessman and letters by Tom Orzechowski. Roy Thomas was the Editor.

This issue of Marvel Special Edition is  genuinely amazing that, story wise, would quite possibly represents a whole run of a modern series. Shang-Chi has turned away from his manipulative father who forced him to kill in his name. He is now in a strange land, trying to rectify past mistakes and stay alive, under attack from assassins sent to kill him. Then, one of his few friends, a man he grew up with, appears and tries to kill him.

It’s a story of friendship and betrayal, Shang-Chi a man of peace, is forced to kill.

Very soon after this, Englehart was to pass the writers duties to Doug Moench and Jim Starlin left the book and passed the art duties to Paul Gulacy. This is the title that you should read. It says so much and is original in many, many ways. It was a shortish run (ending at #125) and is now, finally, getting reprinted. The issues are never a short read and well worth your money.

#16 was only the second appearance of Shang-Chi. But I already felt like I knew what he was about.

So – how did the Guided View differ from the printed page? How does it change the reading experience?

As a kid, I loved the combination of action and strangeness in Master of Kung-Fu. It had the iconic inner monologue of the central character that really made you feel like you really got into his problems and quest. But it was at moments coldly violent, like all the good 42nd Street martial arts movies of the time.

The moment that Midnight and Shang-Chi finally face off is a famous sequence in the comics. One whole page shows us the death of Shang’s childhood friend. There’s not getting around the fact that Shang does in fact kill him. This is how I saw this as a kid and since…

Special Marvel Edition #16 - Death Fall

That’s one whole page that you can drink in all at once. As you look at the page in one go, you see the fall and the death in one single glance. It is harsh, sudden and strange and sad and all the rest of emotions that you feel when you have connected with characters. Once you accept that the fashion of the times was to cram loads of story into a page, you can see that it’s a great page.
Then I had a go at reading it in Guided View.
Special Marvel Edition #16 - Death Fall Guided View 1
Special Marvel Edition #16 - Death Fall Guided View 2
Special Marvel Edition #16 - Death Fall Guided View 3
Special Marvel Edition #16 - Death Fall Guided View 4
The Guided View version extracts the action out of panels that were never meant to be separated, but works well nonetheless. It changes the dynamic of the page and the movement and the drama so much that it becomes an altogether different reading experience.
Many of the stories in this run of Master of Kung-Fu have fight scenes that have multiple panels on a page. These again are changed and the jeopardy shifts from seeing a fight on a page and scanning it in a matter of moments to reading these sequences in more detail. Even the smallest panels are  blown up to increase and change the tension of the fight.
The story stops being something that is an incredibly impressive layout on a page to a moment by moment, kick by punch and blow by blow flow of art panels.
It’s neither better or worse. Just different. But it has changed how I have thought about writing. It is well worth looking at.
Just a thought.
Now get out of here and go and read some Bronze Age comics!
Many thanks for reading.
[amazon_link asins=’1302901354,130290129X,1302901303,1302901311,130290132X’ template=’ProductCarousel’ store=’downthetubes’ marketplace=’UK’ link_id=’7de2cced-3981-11e8-9e94-816aeb610fef’]
All images © Marvel

The founder of downthetubes, John works as a comics editor, writer, as Creative Consultant on the Dan Dare audio adventures for B7 Media, and on promotional work for the Lakes International Comic Art Festival. Working in British comics publishing for over 30 years, his credits include editor of titles such as Doctor Who Magazine, Star Trek Magazine and Babylon 5 Magazine. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War and “Dan Dare”. He’s the writer of “Crucible”, a creator-owned project with 2000AD artist Smuzz, published on Tapastic; and “Death Duty” and “Skow Dogs” with Dave Hailwood for digital comic 100% Biodegradable.



Categories: Creating Comics, Digital Comics, downthetubes Comics News, downthetubes News, Features, Reviews

Tags: , , , , , , ,

%d bloggers like this: