Tintin, John M. Burns “UFO” art included in upcoming Heritage Select Auction

Alongside a huge range of American comic art from creators that include Will Eisner and Jim Starlin in the upcoming Heritage Auctions 8th July 2026 Wednesday Comic Art & Illustration Select Auction, there are a few items that may interest British and European comic art collectors – and Gerry Anderson fans, too…

Hergé Studio The Adventures of Tintin: King Ottokar's Sceptre Original Art (B.R.T., 1953)

Tintin and Snowy are scoping things out from a safe distance in this forest scene from King Ottokar's Sceptre - which would become the first of Tintin's tales to be adapted for the animated series Hergé's Adventures of Tintin. Ink and charcoal over pencil with an image area of 15.75" x 11.75". Various folds on the edges. Includes a photocopy of the signed C.B.E.B.D. certificate by Bob de Moor and Michel Deligne.

Hergé Studio The Adventures of Tintin: King Ottokar’s Sceptre Original Art (B.R.T., 1953)

Tintin and Snowy are scoping things out from a safe distance in this forest scene from King Ottokar’s Sceptre – which would become the first of Tintin’s tales to be adapted for the animated series Hergé’s Adventures of Tintin. Ink and charcoal over pencil with an image area of 15.75″ x 11.75″. Various folds on the edges. Includes a photocopy of the signed C.B.E.B.D. certificate by Bob de Moor and Michel Deligne.

"UFO" page by John M. Burns for TV Action No. 107 (Polystyle Publications, 1973)

As downthetubes readers know, UFO was Gerry and Sylvia Anderson's first live-action science-fiction series, centred on S.H.A.D.O., a covert military force fighting alien incursions from hidden bases on Earth. This page sends Commander Straker and Foster into the field as a  S.H.A.D.O. Mobile crashes the alien position, a dart drops the final attacker, and a South American operation moves one step closer. 
Rendered in ink and grey wash over graphite on illustration board with an image area of 12.25" x 17.25"

“UFO” page by John M. Burns for TV Action No. 107 (Polystyle Publications, 1973)

As downthetubes readers know, UFO was Gerry and Sylvia Anderson’s first live-action science-fiction series, centred on S.H.A.D.O., a covert military force fighting alien incursions from hidden bases on Earth. This page sends Commander Straker and Foster into the field as a S.H.A.D.O. Mobile crashes the alien position, a dart drops the final attacker, and a South American operation moves one step closer.
Rendered in ink and grey wash over graphite on illustration board with an image area of 12.25″ x 17.25″

Mike Perkins The Swamp Thing #1 Pale Wanderer First Appearance Issue Double Page Spread 20-21 Original Art (DC, 2021)

Levi Kamei gives in once more to the eldritch green while lying on Jennifer Reece's couch, and the vision waiting for him is anything but restful. The encounter draws him into confrontation with the Pale Wanderer, a ravenous desert ghoul tied to a string of grisly Sonoran murders. On this page from "Becoming, Part 1," Mike turns the dream state into nightmare terrain, setting Levi's organic Green transformation against blank eyes, rotting flesh, vine-like tentacles, and the bleak desert world of the Wanderer. Ink, wash, and white paint highlights over graphite

Mike Perkins The Swamp Thing #1 Pale Wanderer First Appearance Issue Double Page Spread 20-21 Original Art (DC, 2021)

Levi Kamei gives in once more to the eldritch green while lying on Jennifer Reece’s couch, and the vision waiting for him is anything but restful. The encounter draws him into confrontation with the Pale Wanderer, a ravenous desert ghoul tied to a string of grisly Sonoran murders. On this page from “Becoming, Part 1,” Mike turns the dream state into nightmare terrain, setting Levi’s organic Green transformation against blank eyes, rotting flesh, vine-like tentacles, and the bleak desert world of the Wanderer. Ink, wash, and white paint highlights over graphite

Steve Pugh and Scott Koblish Doom 2099 #34 Story Page 1 Original Art (Marvel, 1995)

The search for Doom begins in this issue as SHIELD sifts through the wreckage of the White House. Drawn in ink over graphite on Bristol board with an image area of 10" x 15". Signed by Koblish in bottom margin

Steve Pugh and Scott Koblish Doom 2099 #34 Story Page 1 Original Art (Marvel, 1995)

The search for Doom begins in this issue as SHIELD sifts through the wreckage of the White House. Drawn in ink over graphite on Bristol board with an image area of 10″ x 15″. Signed by Koblish in bottom margin

Check out the full catalogue Heritage Auctions  2026 July 8 Wednesday Comic Art & Illustration Select Auction (#322627)



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