‘I often pick up on cartoonists as examples of good social web practice,’ Pete writes, ‘partly because I like cartoonists, partly because their work lends itself to being displayed on a web browser but also because many of the cartoonists I follow have a history in fanzines and self-published comics and have an innate understanding of how this stuff works.’
Pete singles out ace cartoonist Darryl Cunningham as an example of someone who uses social media particularly well:
‘Darryl is now working on a new collection of strips about science and is posting the strips in their entirety on his blog as they are drawn. So far you can read chapters on homeopathy, MMR and, from this week, evolution. What’s interesting is he’s calling these “beta” strips and inviting corrections and clarifications from his readers.’
You can read the full post, which is well worth your time, here.
Pete Ashton is an online communications consultant specialising in social media and blogging. He also spent a long time as a fanzine maker and advocate of self-published comics.
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John is the founder of downthetubes, launched in 1998. He is a comics and magazine editor, writer, and Press Officer for the Lakes International Comic Art Festival. He also runs Crucible Comic Press.
Working in British comics publishing since the 1980s, his credits include editor of titles such as Doctor Who Magazine and Overkill for Marvel UK, Babylon 5 Magazine, Star Trek Magazine, and its successor, Star Trek Explorer, and more. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics; and has edited several comic collections and graphic novels, including volumes of “Charley’s War” and “Dan Dare”, and Hancock: The Lad Himself, by Stephen Walsh and Keith Page.
He’s the writer of comics such as Pilgrim: Secrets and Lies for B7 Comics; “Crucible”, a creator-owned project with 2000AD artist Smuzz; and “Death Duty” and “Skow Dogs”, with Dave Hailwood.
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I wouldn’t say all cartoonists. It’s more those who have first hand experience of the “community media” (for want of a better word) environtment of the small press that I find make the transition to social media easier.