|Mighty World of Marvel Issue 1
published in 1972
by Tony Ingram
For about forty years now, Marvel have had a close relationship with Britain and its comics industry, dating back originally to Odhams Press and their groundbreaking weekly comic Smash!, in which was published the first ever UK originated strip to star a Marvel character, the ever incredible Hulk. Later, rather better known to most, came the sterling efforts of Marvel UK themselves, who in the 1970’s, 80’s and early 90’s produced a huge amount of material – including Alan Moore and Alan Davis’s Captain Britain, arguably one of the most incredible pieces of sequential storytelling anyone has ever published, not to mention Stoke’s and Parkhouse’s epic Black Knight series, Death’s Head, Doctor Who, the sadly near forgotten but utterly brilliant Timesmasher and several dozen more I could mention but won’t.
|Captain Britain Weekly Issue 3
published in 1976
In short, British originated Marvel comics are a long standing tradition which has in the past given us some of the best comics ever produced and brought some hugely talented creators into the Marvel fold.
Well, not anymore. Since Marvel UK was sold off in 1996, Panini UK (who currently hold the license to publish Marvel material in Britain) have continued to publish some UK originated material featuring the Marvel characters, including old Marvel UK stalwarts such as Captain Britain and Death’s Head. Mostly, these stories have seen print in titles aimed at younger readers, including the currently ongoing series’ Marvel Heroes and Spectacular Spider-Man.
But now, Marvel’s owners Disney have issued an edict to the effect that from now on, all material featuring Marvel characters must originate in the US.
Why they’re saying this is unclear, but the effect as far as Panini are concerned is obvious; no more UK originated material might mean no more Marvel Heroes (and, indeed, we gather the title has been cancelled) or Spectacular Spider-Man – a sad loss as those magazines currently act as a gateway into Marvel for younger readers who then move on to Panini’s reprint titles and possibly to the US originals.
Worse yet, it also means there’s no superhero no work for the talented British based freelancers who currently produce those strips – considerations which, of course, probably matter to Disney not at all, since Marvel Comics account for a minuscule percentage of their worldwide profits, and licensing revenue from Panini an even more minuscule percentage of that.
Still, on the face of it, Disney’s decision makes little sense. It will deprive creators of work and Panini of revenue, which admittedly isn’t their problem (and may even be seen as a plus by them, since Panini are in competition with them in other areas), but more to the point it will deprive a section of their fan base of that way in to Marvel I mentioned, which can’t be good for business in the long run. And the only justification for it seems to be creating a uniform brand under Disney’s total control.
I guess compared to that typically Disney desire for homogenisation, the UK market, and indeed those other foreign markets probably also affected, are small potatoes and largely irrelevant to them. But it’s a sad day all the same, particularly for those kids who are going to lose their favourite comics, and I can’t help thinking it will ultimately just serve to further diminish an already dwindling comics industry worldwide.
Not that Disney will care about that either. After all, in the end it will be much cheaper just to close down the presses and manufacture a few more Incredible Hulk lunchboxes. And the end may not be that much longer in coming, if Disney’s current approach is anything to go by…
The founder of downthetubes, which he established in 1998. John works as a comics and magazine editor, writer, and on promotional work for the Lakes International Comic Art Festival. He is currently editor of Star Trek Explorer, published by Titan – his third tour of duty on the title originally titled Star Trek Magazine.
Working in British comics publishing since the 1980s, his credits include editor of titles such as Doctor Who Magazine, Babylon 5 Magazine, and more. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War” and “Dan Dare”.
He’s the writer of “Pilgrim: Secrets and Lies” for B7 Comics; “Crucible”, a creator-owned project with 2000AD artist Smuzz; and “Death Duty” and “Skow Dogs” with Dave Hailwood.
Categories: British Comics