James Allen St. John's 1922 duct jacket for At the Earth's Core SNIP

Heritage Auction details Science Fiction Collection of Glynn and Suzanne Crain sale

It's estimated James Allen St. John's 1922 duct jacket for At the Earth's Core will sell for at least $75,000 in The Glynn and Suzanne Crain Science Fiction Collection Signature Auction in Dallas in August 2019
It’s estimated James Allen St. John’s 1922 duct jacket for At the Earth’s Core will sell for at least $75,000 in The Glynn and Suzanne Crain Science Fiction Collection Signature Auction in Dallas in August 2019

A collection of 461 lots from the finest and most extensive group of mid-century American science fiction art will be brought to auction for the first time when Heritage Auctions presents The Glynn and Suzanne Crain Science Fiction Collection Auction, taking place over 13th – 14th August 2019 in Dallas, Texas. James Allen St. John, and Frank R. Paul are among artists featured amid the sale’s top lots.

“This sale includes classic examples from the genre, many of which are very rare or even unique, with just single paintings typically brought to market, or even traded privately without being made available to the public,” Heritage Auctions Vice President Todd Hignite said. “To offer a collection with the breadth and quality found in this one is simply unprecedented – and we expect many bidders from diverse collecting areas to compete for these iconic images created for some of the most popular and historically important stories by the greatest writers in the genre.”

In addition to the unparalleled group of original artwork, the auction includes rare first-edition books, comics, pulp magazines and movie posters.

James Allen St. John‘s 1922 duct jacket for  At the Earth’s Core, estimated to sell for at least $75,000, is a spectacular image that was published on the hard cover dust jacket of the first edition of At the Earth’s Core by Edgar Rice Burroughs by A.C. McClurg & Co. in 1922. St. John is widely recognised for his impact on the visual language of fantasy illustration, in part because of the image offered here. To land such an iconic image from such an important book by an artist considered one of the best ever at fantasy illustration presents a rare opportunity for serious collectors.

Frank R. Paul (American, 1884-1963). The Moon Conquerors, Science Wonder Quarterly cover, Winter 1930

Frank R. Paul‘s The Moon Conquerors, Science Wonder Quarterly cover, Winter 1930 (estimate: $30,000+) is a breathtaking water and gouache on board that is signed by Paul, a pioneer of American science fiction art.

It’s actually one of three lots by the artist in the sale and one of the greatest known to remain in existence, this image once belonged to famed historian and writer Sam Moskowitz.

Robert A. Graef's Maza of the Moon, Argosy cover, 21st December, 1929

Robert A. Graef‘s Maza of the Moon, Argosy cover, December 21, 1929 (estimate: $12,000+) includes imagery that was recreated in countless fantasy and science fiction stories. This 90-year-old image is one of the first to include a form of laser battle, and includes a hand-held device that has been compared to the light sabre that appeared in the Star Wars films. The early science fiction pulp cover even includes a woman whose hair is tied wrapped over her ears in a spiral design, reminiscent of the iconic style made famous in the Star Wars films by Princess Leia.

Michael Whelan's Foundation's Edge paperback cover, 1983

Michael Whelan Foundation’s Edge paperback cover, 1983 (estimate: $10,000+) was published as the paperback cover of Isaac Asimov’s Foundation’s Edge (Del Rey Books, 1983), which is considered a central building block for science fiction in general.

Its appearance as the cover of such an important science fiction novel and the stunning detail have earned this painting a reputation as one of Whelan’s fines ever to be offered at auction. “It seems to me to be rather marvellous to be able to illustrate not a concrete scene but an abstract imponderable,” Isaac Asimov said, “and in such a way that it seems to brighten and deepen the book even to the writer himself.” The acrylic-on-board painting measures 29-1/2 inches by 21-1/4 inches, and is signed and dated lower centre.

John Conrad Berkey's Run to the Stars paperback cover, 1986

Another spectacular painting that ended up appearing on a science fiction cover is John Conrad Berkey‘s Run to the Stars paperback cover, 1986 (estimate: $7,000+). The image appeared on Mike Scott Rohan’s Run to the Stars (Ace Books, 1986), a copy of which is included with the lot. The image features a concept that appeared in numerous futuristic stories and films, that of a vehicle that could lift from an aquatic role into immediate flight.

Other top lots include, but are not limited to art attributed to Robert Emil SchulzThe World Jones Made paperback cover, 1956 (estimate: $30,000+); Earle K. Bergey‘ s Shadow Over Mars, Startling Stories cover, Fall 1944 (estimate: $20,000+); an early poster for the film, The Day the Earth Stood Still (20th Century Fox, 1951 – estimate: $8,000+); and a first edition of Jules Verne‘s Twenty Thousand Leagues Under the Seas, which is estimated to sell for $5,000.

A The Day the Earth Stood Still (20th Century Fox, 1951). Three Sheet (41" X 78.5"). For 1950s SF fans, this large format piece is an essential and always desirable poster. The film was based on the story "Farewell to the Master" by Harry Bates, masterfully adapted for the screen by director Robert Wise. Thought provoking, this thriller tells of Klaatu, a soft-spoken interplanetary traveler, and his "bodyguard" Gort, a huge robot who shoots laser-like death rays whenever threatened, that land their spacecraft near the White House. Ultimately, Klaatu's message for earthlings is a peaceful one, but this intriguing three sheet captures an ominous Gort unleashing his lethal beam on an alarmed crowd.
A The Day the Earth Stood Still (20th Century Fox, 1951). Three Sheet (41″ X 78.5″). For 1950s SF fans, this large format piece is an essential and always desirable poster. The film was based on the story “Farewell to the Master” by Harry Bates, masterfully adapted for the screen by director Robert Wise. Thought provoking, this thriller tells of Klaatu, a soft-spoken interplanetary traveler, and his “bodyguard” Gort, a huge robot who shoots laser-like death rays whenever threatened, that land their spacecraft near the White House. Ultimately, Klaatu’s message for earthlings is a peaceful one, but this intriguing three sheet captures an ominous Gort unleashing his lethal beam on an alarmed crowd.

Heritage Auctions is the largest fine art and collectibles auction house founded in the United States, and the world’s largest collectibles auctioneer. Heritage maintains offices in New York, Dallas, Beverly Hills, San Francisco, Chicago, Palm Beach, London, Paris, Geneva, Amsterdam and Hong Kong.

•  View all the lost in The Glynn and Suzanne Crain Science Fiction Collection Signature Auction, taking place 13th – 14th August 2019, here

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John Freeman

The founder of downthetubes, John works as a comics editor, writer, as Creative Consultant on the Dan Dare audio adventures for B7 Media, and on promotional work for the Lakes International Comic Art Festival. Working in British comics publishing for over 30 years, his credits include editor of titles such as Doctor Who Magazine, Star Trek Magazine and Babylon 5 Magazine. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War and “Dan Dare”. He’s the writer of “Crucible”, a creator-owned project with 2000AD artist Smuzz, published on Tapastic; and “Death Duty” and “Skow Dogs” with Dave Hailwood for digital comic 100% Biodegradable.

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