Stolen Brian Bolland “Judge Dredd” art surfaces on major comic auction site

A page of stolen Judge Dredd art by Brian Bolland from the early 2000AD “Cursed Earth” story has surfaced on the comic auction site Comic Link.

As of this morning, the page was still on offer on the site, although a number of Bolland fans have reported it.

downthetubes contacted the site for comment, and correspondence subsequently exchanged between the auction site and Brian’s British art agent.

This title page of “Judge Dredd” from 2000AD Prog 77 is one of several stolen from the archives of IPC when they owned the title
This title page of “Judge Dredd” from 2000AD Prog 77 is one of several stolen from the archives of IPC when they owned the title

The story of stolen Judge Dredd art – and, indeed, other art once held by then copyright owner IPC – dates back to the 1980s and is a little complicated, but in essence, if you own a page of 2000AD art and it’s not signed by Brian Bolland, in red ink, at the bottom of the page, then you own stolen property.

When the art theft first came to light, in 1988, it was widely reported, including in the American The Comics Journal, who ran a list of stolen pages in its June 1988 edition.

List of stolen Brian Bolland 2000AD art, published in 1988 by The Comics Journal
List of stolen Brian Bolland 2000AD art, published in 1988 by The Comics Journal

“Here’s what happened,” Brian himself notes on the Facebook Brian Bolland Appreciation Society (and not for the first time, deservedly anxious to highlight the thefts). “Publishers IPC in London had been publishing comics for many years. They paid the artists for their work, but their names wouldn’t be printed on their pages and their artwork would not be returned to them. At 2000AD, Kevin O’Neill arranged for a credit box naming the ‘art droid’ to be added to the first page of each story.

“Eventually, the archive of artwork stored in the vaults became so unmanageable IPC had the revolutionary idea of returning it to the artists. Something the artists had been asking for for some time. But – IPC required each artist to draw up a list of his pages and pay for a transparency to be made of each.

“I made a deal with the Forbidden Planet store in London to do that for me, collect my (probably) 300 pages and they would buy them off me (all except for a few I chose to keep). Mike Lake went to collect them and returned with about 185. It seemed about 115 had already been taken by someone else.

“Various British publishers and individuals had been given access to artwork, including mine, for use in other publications,” he continues. “All of the people who had access came from the closed world of comics – be they publishers, shop owners or fellow artists. The individuals who took my pages were people known to me, even friends. Soon, news surfaced of the stolen pages turning up in the hands of American collectors.

“The pages that actually came my way were all signed by me in red biro. Anything not signed that way was stolen.

“In the decades that have passed some buyers of these pages have contacted me,” Brian reveals. “Some have offered to pay me a small amount in compensation.

“The best I can do is to keep this issue alive, shame the people who took them and the people now selling them.”

The current example on Comic Link is the the splash page from “Giants Aren’t Gentlemen”, but other pages have emerged down the years. In addition, there have been instances of legitimately sold Bolland art being stolen, such as another “Cursed Earth” page in transit from Silver Acre, back in 2008.

The treatment of original art, and artists, by IPC remains contentious, with horror stories of art being used to soak up water from leaky pipes, or destroyed on the orders of Fleetway management, later owners of many IPC comic properties. But the fact of the matter is, theft is theft – and since IPC instituted a process by which art could be returned, they acknowledged the artists’ ownership. Those who took advantage of the poor security of the archive and have these pages are either aware of the provenance, and don’t care, or, in some cases, may unknowingly be in possession of stolen goods.

The whole issue of stolen 2000AD art was re-ignited when Rebellion announced plans to publish its Judge Dredd by Brian Bolland Apex Edition, due for release in February 2022, and put out an appeal to track down missing art.

Co-edited by Masters of British Comics Art author and artist David Roach and Rebellion graphic novels editor Oliver Pickles, many pages of Bolland’s 2000AD work have been located and scanned for the book, brought together from private collections in the US, UK, France, and beyond. The editors also circulated a list of pages they were hoping to trace.

The Brian Bolland: The Apex Edition has the artist’s full support, and will be followed by a Judge Dredd by Mick McMahon – Apex Edition in October.

“Even the pages that were legally returned to me were sold legally by me at the time for a modest fee,” Brian noted in past posts, “so it’s inevitable that now they are changing hands at many multiples of the price I got for them. I’m no longer expecting any financial returns for them. Just to see them in print would be reward enough (along with a nice royalty).”

Pre-order the Judge Dredd by Brian Bolland Apex Edition from Forbidden Planet here (Affiliate Link)

All comic book stores were able to order the standard trade edition through the October 2021 edition of Diamond Distribution’s Previews magazine

• Judge Dredd: The Complete Brian Bolland, published in 2013 by IDW, is still available (Amazon UK Affiliate Link)

Buy Judge Dredd collection featuring stories drawn by Brian Bolland from AmazonUK (Affiliate Link)

Check out our list of 2000AD and Treasury of British Comic collection releases for 2022 – what has been announced so far (more to come!)

Brian Bolland Appreciation Society

Brian Bolland art for sale at Brit Comics Art (Agent)

Oh Danny Boy: Original Art Stories: Brian Bolland’s Missing 2000AD Artwork & The Sub-Culture Of Collecting

The founder of downthetubes, John works as a comics editor, writer, as Creative Consultant on the Dan Dare audio adventures for B7 Media, and on promotional work for the Lakes International Comic Art Festival. Working in British comics publishing for over 30 years, his credits include editor of titles such as Doctor Who Magazine, Star Trek Magazine and Babylon 5 Magazine. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War and “Dan Dare”. He’s the writer of “Crucible”, a creator-owned project with 2000AD artist Smuzz, published on Tapastic; and “Death Duty” and “Skow Dogs” with Dave Hailwood for digital comic 100% Biodegradable.



Categories: 2000AD, British Comics, British Comics - Collections, Comic Art, Comics, downthetubes Comics News, downthetubes News

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