For Richard: A Tribute to Comics Writer, Editor and Publisher Richard Ashford, by Cefn Ridout

Alan Woollcombe recently paid tribute to the late comics writer, editor and publisher Richard Ashford, a longtime stalwart of independent British comics who passed last month. He was first diagnosed with the rare condition, Huntington’s Disease, in 2006. Today, editor and writer Cefn Ridout, who worked with Richard at Acme Press, remembers his friend…

Some of the Acme Press crew – Richard Ashford, Cefn Ridout and Dick Hansom – spruiking the "Licence to Kill" adaptation, possibly at Grenoble Comic Convention in 1989. Photo courtesy Cefn Ridout
Some of the Acme Press crew – Richard Ashford, Cefn Ridout and Dick Hansom – spruiking the “Licence to Kill” adaptation, possibly at Grenoble Comic Convention in 1989. Photo courtesy Cefn Ridout

I first met Richard Ashford in late 1983 in Forbidden Planet in Denmark Street. We’d been corresponding and swapping copies of our respective fanzines – Speakeasy and The Australian Comic Collector – via mail for the past few years and I was in the UK visiting family and backpacking my way around the world – as is the Aussie way. We hit it off from the start, with Richard exhibiting all the traits that would makes us close friends: a sharp wit, exceptional generosity, a shared love of comics and film, an idiosyncratic streak… and inveterate tardiness. In fact, I was on verge of leaving FP after nearly an hour when Richard turned up at the door, apologising for being on UK time (as I was clearly still on Aussie time and far too early).

Cefn Ridout and Richard Ashford putting together Speakeasy in 1984. Photo courtesy Cefn Ridout
Cefn Ridout and Richard Ashford putting together Speakeasy in 1984. Photo courtesy Cefn Ridout

One thing led to another, and it wouldn’t be overstating the case to say that if we hadn’t met, I probably would not have stayed in the UK and certainly not found myself a part of the UK comics scene during one of its most exciting periods. The British invasion of the US was well underway, UKCAC, the UK Comic Art Convention, was going from strength to strength and Richard’s “baby”, Speakeasy, required more hands on deck, so I didn’t need my arm twisted to join the merry crew: Richard, Dick Hansom and Bambos Georgiou. We all pitched in on various aspects of production – writing, editing, designing, printing, mailing, networking, pubbing, etc. – skills that held us in good stead when we started up Acme Press in 1986 as a workers co-op, ironically thanks to Maggie Thatcher’s Enterprise Allowance scheme for young start-ups.

Maxwell the Magic Cat Volume One
Maxwell the Magic Cat Volume One, one of four volumes from Acme Press of Alan’s strip first published in the now defunct weekly Northants Post from 1979 to 1986

This afforded us the opportunity to really spread our wings, publishing some of the cream of British talent: including Alan Moore, Brian Bolland, Dave Gibbons, Grant Morrison, Eddie Campbell, John Watkiss, Ian Gibson, Rian Hughes, John M. Burns, Warren Pleece, and many others. We also dipped our toes into European waters, partnering with the likes of Eclipse Comics, Fantagraphics and Dark Horse, to produce translations of Kogaratsu, Lea: The Confessions of Julius Antoine, Rael: Into the Shadow of the Sun, and a variety of noirish adventure tales in Aces and Point Blank, and took on significant licenced properties such as James Bond and Steed and Mrs Peel.

Lea: The Confessions of Julius Antoine  by Serge Le Tendre and Christian Rossi, an English translation of a French comics album, published by Acme Press. The book was distributed in the U.S. by Fantagraphics Books. Lea won the 1990 UK Comic Art Award for Best Translated Graphic Novel | More information and a review here on Slings and Arrows
“Lea: The Confessions of Julius Antoine” by Serge Le Tendre and Christian Rossi, an English translation of a French comics album, published by Acme Press. The book was distributed in the U.S. by Fantagraphics Books. Lea won the 1990 UK Comic Art Award for Best Translated Graphic Novel | There’s a review here on Slings and Arrows

Richard was also able to parlay his filmmaking and comics expertise into Acme Video, which, in cahoots with C.A. Productions, produced Comic Profiles, video profiles of Will Eisner, Watchmen, Alan Moore and 2000AD. And, yes, we sometimes bit off more than we could chew with Acme Comics Shop and Basement Gallery in Coldharbour Lane, Brixton, but, hey, there were plenty of memorable times and events there as well.

Acme Comics, Coldharbour Lane, Brixton, in the 1980s
Acme Comics, Coldharbour Lane, Brixton, in the 1980s

During a concentrated period of activity from 1986-1990, Speakeasy, which had taken home a couple of Eagle Awards, also underwent a transformation into a professional magazine, with Richard as managing editor, until John Brown acquired it in late 1989. Fellow Acme Press director and long-time contributor Nigel (later Natasha) Curson took over the editorial reins, which were then handed to Stuart Green.

The Savage Sword of Conan #229, edited by Richard Ashford
The Savage Sword of Conan #229, edited by Richard Ashford

By 1991, Richard had moved to New York with his wife, Carol, eventually settling into a Woody Allen-esque ground floor apartment on the upper West Side, where they raised two boys, Grant and Geoffrey, and miraculously converted a one bedroom flat into three bedrooms – ask the boys – and a purpose-built floor to ceiling bookshelf that held a fraction of his comics, films and music collections. I visited as often as I could after moving back to Oz for a period.

While in Manhattan Richard landed himself an editorial position with Marvel Comics on a number of books, including The Avengers, Marvel Comics Presents and, probably his favourite assignment, Conan the Barbarian. I had the great fortune of working with Charlie Adlard (pre-The Walking Dead) on a few titles that were edited by Richard, and through his auspices met personal comics heroes John Romita and John Buscema, whom Richard and I interviewed for two art of books. The Romita book was published but the Buscema one languishes somewhere within Marvel’s vaults.

A dear friend for many decades I have very fond memories of the times Richard and I spent together and will miss him enormously. My thoughts and deepest sympathies go to his extraordinary wife, Carol, and their boys Grant and Geoffrey.

Cefn Ridout

Read Alan Woollcombe’s tribute to Richard Ashford here

• Carol Baird has set up a tribute page to Richard on the Huntington’s Disease Society of America website

If you would like to make a donation to support the work of Huntington’s Disease Society of America, in memory of Richard, you can do so here

If you would like to make a donation to support the work of Huntington’s Disease Association in the UK, in memory of Richard, you can do so here

Wikipedia: Acme Press Profile



Categories: British Comics, Comics, Creating Comics, Features, Obituaries

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