WebFind: A Guide to NFTs – and why Artists may want to take note

The Verge has published a comprehensive guide to NFTs (Non Fungible Tokens) for artists and collectors that have made a unique version of a cat worth $170,000.

The Short Answer: “Non-fungible” more or less means that it’s unique and can’t be replaced with something else. For example, a bitcoin is fungible — trade one for another bitcoin, and you’ll have exactly the same thing. A one-of-a-kind trading card, however, is non-fungible. If you traded it for a different card, you’d have something completely different. You gave up a Squirtle, and got a 1909 T206 Honus Wagner, which StadiumTalk calls “the Mona Lisa of baseball cards.” (I’ll take their word for it.)

The Long Answer: The. Verge FAQ is here, reporting on some of the prices paid for NFTs, noting they are already being used by celebrities, including William Shatner.

I’m Still None the Wiser, Why Does This Matter? Because the opportunities for selling NFTs off the back of someone else’s Intellectual Property are just beginning to be appreciated by both creators and comics publishers.

Last week, US comics publisher DC sent out a warning letter about using comic characters in NFTs … which Boing Boing reports is now being sold as an NFT

There may be trouble ahead.


ArtStation Rethinks NFT Crypto Art Push After Environmental Backlash

The art portfolio platform lined up drops from several noted artists, but paused its plans following an uproar from users

The Unreasonable Ecological Cost of #CryptoArt (Part 1)

The website cryptoart.wtf estimates the carbon footprint of CryptoArt NFTs as a result of blockchain (specifically Proof-of-Work, Ethereum) based transactions relating to the NFT. These figures do not include the production or storage of the works, the computers directly engaging in the act (e.g. the seller or buyers’ computers), or even the website itself, but is simply for the act of using the PoW Ethereum blockchain to keep track of sales and activity. (See also “The Unreasonable Ecological Cost of #CryptoArt (Part 2)”)

With thanks to Ian Ellery for additional links

The founder of downthetubes, which he established in 1998. John works as a comics and magazine editor, writer, and on promotional work for the Lakes International Comic Art Festival. Working in British comics publishing since the 1980s, his credits include editor of titles such as Doctor Who Magazine, Star Trek Explorer (previously known as Star Trek Magazine) and more. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War and “Dan Dare”. He’s the writer of "Pilgrim: Secrets and Lies" for B7 Comics; “Crucible”, a creator-owned project with 2000AD artist Smuzz; and “Death Duty” and “Skow Dogs” with Dave Hailwood.

Categories: Art and Illustration, Digital Media, downthetubes Comics News, downthetubes News, Links, Other Worlds

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