Dan Abnett is well known to fans of Games Workshop’s Warhammer universe for his multiple New York Times bestselling novels, and is co-writer on the upcoming Warhammer 40,000: Darktide game for will be coming to PC and Xbox Series X. Here’s a catch up with him about the project from independent developer Fatshark – their third game set within the Warhammer universe…
Dan, who lives and works in Maidstone, Kent and started out in the entertainment business as an editor at Marvel UK, is a multiple New York Times bestselling author and an award-winning comic book writer. He has written over fifty novels, which, in addition to his Warhammer novels, his many other books include The Silent Stars Go By (Doctor Who), Rocket Raccoon and Groot: Steal the Galaxy, Triumff, and Embedded. In comics, he’s also written Doctor Who stories, The Guardians of the Galaxy for Marvel, DC’s Legion of Superheroes, Justice League and Aquaman and, for the Vertigo imprint, The New Deadwardians. A regular contributor to 2000AD, he is the co-creator of series including Brink, Grey Area, Feral & Foe, and more.
He has also written extensively for the games industry and is now working with Fatshark to bring their award-winning co-op gameplay to the 41st Millennium…
Tell us a bit about yourself.
I’m a writer of comics, novels and games. I started out in comics, working for Marvel, and have since written for all the major companies – Marvel, DC, Dark Horse and the UK’s famous 2000AD. My work for Marvel on the Guardians of the Galaxy was used as the basis for the Marvel movies.
I’ve also written over fifty novels, many best-selling… Doctor Who, Primeval, Torchwood, Tomb Raider, and many for the Warhammer universe, and I’ve worked on games such as Alien: Isolation and Shadow of Mordor. I love what I do, and I know I’m lucky to be doing it.
When did you first come in contact with Warhammer, and when did you start working with the brand?
I was well aware of Games Workshop – I’d been a keen pen-and-paper role player back in the day, and when I was invited to work for Warhammer, back at the very start of their fiction publishing line, I had a good take on the ‘atmosphere’ of the universe. I’ve written a lot of novels, comics and short stories for them in the last two decades, as their success as a fiction publisher has grown, and I’ve also been able to help shape the universe a little in my books. My Eisenhorn series (Inquisitor novels) and my Gaunt’s Ghost series (Imperial Guard) have fleshed out aspects of the 40K world, and I wrote some key parts of the Horus Heresy novel series, the background ‘myth’ of the whole universe.
What is your favourite thing with Warhammer 40,000?
It’s such a rich universe. It’s notoriously ‘dark’… it’s certainly not a place you’d want to actually live in, but it’s got a grand, epic, decayed… wonderful feel of its own. It’s quite unlike anything else. The Imperium of Mankind is vast, ancient, stagnating and riddled with superstition and zealous beliefs. It’s also permanently at war, against powerful and predatory alien species, and the infernal power of the Warp.
What I love most, I suppose, is that there’s really no limit to what you can do… from small stories, ‘detective’ style fiction, to military science fiction, to all-out epic myth. It’s an amazing space, full of ideas and possibilities, and with an amazing visual style. But its “grim darkness” is it’s most deliciously defining quality, and its most addictive aspect.
As soon as you hear 40,000 you think of Space Marines. When you heard that Darktide did not want to focus on Space Marines, but instead a motley crew of human characters, what was your reaction?
Space Marines are iconic, but they are very powerful, post-human elite forces… and also very rare in the vast scale of the universe. Humans are plentiful. While Space Marines are the obvious starting point for any game or novel, you actually get a much better feel for the universe, in all its gothic sweep and cosmic horror, if you see it from the perspective of an ordinary human.
In novels, like the Gaunt series, or the Eisenhorn cycle, I’ve chosen the ‘human’ viewpoint because it’s so rewarding. That’s the case with Darktide too. We want to emphasise the human scale, the human ‘heart’ in the midst of the vastness and cosmic wonder… and we also want to emphasise the survival and horror aspect. As a human, you’re vulnerable: it’s all about wit, courage, determination and focus. You’re not immortal, invulnerable or wearing a suit of ceramite power armour. It’s just you and the darkness, and that makes for a really incredible playing experience.
What’s the advantage of having a human point of view for the players?
There’s more character, more detail, and a greater richness. You’ll get to figure things out and deal with them as though you’re really there, and you’ll learn so much more about what life in the Imperium is actually like for the vast majority of people. The risks are greater, but then so are the subtleties and intrigues.
It also really amplifies the excitement – as a human, you’re fragile and vulnerable, and probably also scared. And you have no idea what you’re about to find and confront. The player will have much greater identification with their character, and will have to learn to stick with their team, and work with them, in order to survive.
What is the biggest challenge in telling a human perspective in a Warhammer 40,000 world?
Making it comprehensible and ‘real’… building a believable world where humans might live, with a detailed society and culture. And also not making things so deadly they don’t last five minutes! 🙂
Tell us about life in the Tertium Hive.
In many ways, it’s typical of many or most “hive cities” in the Imperium. It’s old, it’s decaying in some parts and lawless in others, it’s overpopulated and hidebound by the rules and edicts of Imperial control. It’s also – and I can’t emphasise this enough – vast. It’s a city the size of a country, a continent. Billions live here, and in its warren of streets and its deep underlevels you can encounter almost anyone and discover almost anything. From the faded, ornate opulence of the highest spires where the aristocracy lives, to the industrial mid-levels and street markets, to the lowest and most dangerous sub-sub levels, abandoned and forgotten, it is a place of detail, danger and wonder.
And secrets. There are secrets hidden away in dark corners everywhere… lost tech, criminal enterprises, dark histories… and maybe other things that are even worse and which threaten the fabric of Imperial society.
That’s why the Inquisitor has come, and that’s why he’s ordered you to explore and discover those secrets. That’s the game.
For anyone new to Warhammer 40,000, what books do you recommend to get started with?
The game itself, and the core rulebooks and codexes are a great place, and so is the fiction. There’s a lot you can read, and you can dip in anywhere. Can I recommend my own works? The Eisenhorn trilogy (which leads to further stories) is about an Inquisitor and the ‘ordinary, daily life’ in the Imperium and is often cited as a great starting place.
If you want to learn the background mythology, go to the Horus Heresy series. If you want to experience military life from the point of view of an ordinary human soldier, try my Gaunt’s Ghosts books, or for a view of things from the Space Marine perspective, try the awesome Dark Imperium novels out now, which showcase the Adeptus Astartes and reveal the current state of things in this war-torn universe.
Headquartered in Stockholm, Sweden and established in 2007 independent developer Fatshark is comprised of a team of 100+ experienced games developers, who strive to create compelling interactive experiences. Apart from Warhammer 40,000: Darktide, the team has previously developed titles including Warhammer: Vermintide 2, Warhammer: End Times – Vermintide, Lead and Gold, Krater and War of the Roses
• More information about Games Workshop and its other, related, brands and product ranges (including our publishing division ‘Black Library’ and our special resin miniatures studio ‘Forge World’) can be found at www.games-workshop.com
Games Workshop Group PLC, based in Nottingham, UK, produces the best fantasy miniatures in the world. Games Workshop designs, manufactures, retails, and distributes its range of Warhammer: Age of Sigmar and Warhammer 40,000 games, miniature soldiers, novels and model kits through more than 529 of its own stores (branded Games Workshop or Warhammer), the www.games-workshop.com web store and independent retail channels in more than 50 countries worldwide.
The founder of downthetubes, which he established in 1998. John works as a comics and magazine editor, writer, and on promotional work for the Lakes International Comic Art Festival. He is currently editor of Star Trek Explorer, published by Titan – his third tour of duty on the title originally titled Star Trek Magazine.
Working in British comics publishing since the 1980s, his credits include editor of titles such as Doctor Who Magazine, Babylon 5 Magazine, and more. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War” and “Dan Dare”.
He’s the writer of “Pilgrim: Secrets and Lies” for B7 Comics; “Crucible”, a creator-owned project with 2000AD artist Smuzz; and “Death Duty” and “Skow Dogs” with Dave Hailwood.