The market for comics and graphic novels in the United States and Canada reached $870 million at retail last year, according to a new estimate prepared jointly by comics business news site ICv2’s Milton Griepp and Comichron’s John Jackson Miller and digital comic sale estimates are also impressive, at $90 million.
“I’ve been networking with Milton on questions of the numbers underlying the business since he was at Capital City Distribution and I was editing Comics Retailer magazine back in the 1990s,” Miller said. “It’s been great to formally collaborate on these estimates for the first time, and I think the result is the most inclusive and accurate picture of the market either of us has ever been able to produce.”
“I’m very excited about the market model this collaboration with John has produced,” Griepp said. “I’ve always had great respect for John’s work in the area of comic sales, and putting our heads together has enabled us to build a model that all can use to analyze and understand the market.”
The 2013 analysis by ICv2 and Comichron was divided up between periodical comics (what some call “floppies” or “pamphlets”), graphic novels, and digital download-to-own sales. Graphic novels contributed the largest portion ($415 million) and comic books nearly as much ($365 million).
Digital (based on numbers released yesterday by ICv2) continued to grow faster than the market at $90 million.
All print figures are calculated based on the full retail price of books sold into the market, and do not account for discounting or markup.
According to the report by Comichron and ICv2, comics periodical sales occur primarily in the comics store channel ($340 million) and to a declining degree in the “newsstand” channel ($25 million). For book format products, well over half of all graphic novel sales ($245 million) occur in the book channel, with a smaller share ($170 million) in the comics store channel.
ICv2 and Comichron also collaborated on market estimates for 2011 and 2012, revising earlier estimates by both. According to the new report, comics periodical sales grew from $300 million in 2011 to $335 million in 2012; graphic novel sales grew from $390 million in 2011 to $400 million in 2012; and combined comics and graphic novel sales grew from $690 million in 2011 to $735 million in 2012.
Incorporating ICv2 digital comic market size estimates ($25 million in 2011 and $70 million in 2012), the total market grew from $715 million in 2011 to $805 million in 2012.
“It’s great that the comics market has found new ways to grow even as the over-all book and magazine markets remain challenged,” Griepp said. “It’s proof of the fundamental entertainment and literary value of the comics medium.”
“According to our records here at Comichron, without adjusting for inflation, this is the highest dollar value the market has reached since 1993,” Miller said. “That’s great for the business, and we’re excited to see what comes next.”
Comichron is the world’s largest public repository of comic-book sales figures, featuring data from the 1930s to today about comic book and graphic novel circulation, cover prices, and market shares on its website, www.comichron.com. With data and analysis on the distant past as well as the present, Comichron serves as a trusted resource for academics studying the the historical reach of the medium and for collectors seeking accurate information about how many copies of a comic book originally circulated.
ICv2 is the the Number One industry source on the business of “geek culture” in the US, including comics and graphic novels, manga and anime, movie/TV products, and hobby games, on its Website, www.ICv2.com, and in its magazine, Internal Correspondence.
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The founder of downthetubes, which he established in 1998. John works as a comics and magazine editor, writer, and on promotional work for the Lakes International Comic Art Festival. He is currently editor of Star Trek Explorer, published by Titan – his third tour of duty on the title originally titled Star Trek Magazine.
Working in British comics publishing since the 1980s, his credits include editor of titles such as Doctor Who Magazine, Babylon 5 Magazine, and more. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War” and “Dan Dare”.
He’s the writer of “Pilgrim: Secrets and Lies” for B7 Comics; “Crucible”, a creator-owned project with 2000AD artist Smuzz; and “Death Duty” and “Skow Dogs” with Dave Hailwood.
Categories: Digital Comics, downthetubes Comics News, US Comics