Name:Andy Diggle
Web site: www.andydiggle.com
Twitter: www.twitter.com/andydiggle
Currently working on:
Six Guns (for Marvel) with Davide Gianfelice – currently on sale; Rogue Trooper (2000AD) with Colin Wilson – a “What If?” one-off for the 35th birthday prog, February 2012; a creator owned project, Snapshot with Jock (Judge Dredd Megazine, March 2012); Lenny Zero n Zero’s Seven (2000AD – coming soon); and Astonishing Captain America (Marvel) with Adi Granov – coming soon.Plus several new projects in the pipeline that I’m not allowed to discuss yet!
First memory of 2000AD?
My very first memory of 2000AD was from before I even started reading it. A friend gave me the bionic stickers that were given away with Prog 2, and I remember my schoolteacher telling me to take them off my arms and legs (I was still in shorts!). I must have been 6 years old at the time.
But I didn’t start actually reading 2000AD until a few years later, fool that I was.The first issue I ever read was Prog 210 in 1981, when I was 10 years old. My brother John had talked our parents into getting it, bless him. I remember being wowed by the Brian Bolland cover: Dredd snarling “Freeze!” to a perp half-frozen in liquid nitrogen. And the back cover was a Mean Arena pin-up by Steve Dillon. I loved it so much I cut it off and stuck it on my bedroom wall… ’til my big brother made me sellotape it back onto the prog! We should have bought two copies…
Favourite Character or Story?
Obviously Judge Dredd is the man, especially in the hands of John Wagner. But character-wise, personally I always preferred Johnny Alpha. I loved his quiet stoicism. He just deals with it, lets his actions speak for him. Still waters. An amazing reversal and cliffhanger could be as simple as him delivering the line: “You get the girl. I’m going to stop the execution.” And you just know it’s all going to kick off next prog!
As for a favourite 2000AD story, it’s impossible to choose just one. There are so many. That comic quite literally changed the course of my life. But as an object lesson in the craft of story structure, The Apocalypse War takes a lot of beating.
That story starts with global nuclear apocalypse and contracts from there, distilling and focusing the drama into an ever tighter and tighter space, until it’s like an inverted pyramid with the entire weight of the world resting on Dredd’s finger on the nuclear button. Amazing.
What do you like most about 2000AD?
Originality, variety and imagination.
What would you most like to see in 2000AD as it heads to its Forties?
Better digital strategy. Better branding and marketing support. Better multimedia exploitation.
If you worked on 2000AD, do you have an anecdote you’d like to share about your experience of Tharg and his minions?
As a former Tharg, sadly my anecdotes aren’t for public consumption! But I made a lot of good friends there. What a great bunch of people.
• This post is one in a series of tributes to 2000AD to mark its 35th birthday on 26th February 2012. More about 2000AD at www.2000adonline.com
2000AD © Rebellion
- About the Author
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The founder of downthetubes, which he established in 1998. John works as a comics and magazine editor, writer, and on promotional work for the Lakes International Comic Art Festival. He is currently editor of Star Trek Explorer, published by Titan – his third tour of duty on the title originally titled Star Trek Magazine.
Working in British comics publishing since the 1980s, his credits include editor of titles such as Doctor Who Magazine, Babylon 5 Magazine, and more. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War” and “Dan Dare”.
He’s the writer of “Pilgrim: Secrets and Lies” for B7 Comics; “Crucible”, a creator-owned project with 2000AD artist Smuzz; and “Death Duty” and “Skow Dogs” with Dave Hailwood.
Categories: 2000AD, British Comics