Alongside some terrific prints by Barry Windsor-Smith, and a large selection of US comics, and British Wizard comics, to boot, two more original Leo Baxendale strip pages go under the hammer at Ewbank’s later this month.
Writing in his autobiography, A Very Funny Business, Leo Baxendale, who died in 2017, revealed how he conceived the idea of a monthly comic – the Super Comic.
“Monthly comics are common enough in America, but not in Britain,” he explained. “My intention was that four week’s work poured into one issue would produce a truly super-comic. I circulated publishers with the idea, and Odhams took it as an affront.”
Comics archivist Steve Hollandnoted in his 2017 tribute to Baxendale that, as the artist’s two-year contract was coming to an end at Odhams in 1965, he began circulating the idea of a monthly ‘super-comic’ to publishers and his relationship with Odhams soured.
So far, nine pages are known to have come to auction, three sold for a tidy sum in August and the other four in December 2023, two in May 2024, all by Ewbank’s, some carrying a copyright date of 1967.
Also in the auction, among many lots of largely US comics…
PLEASE NOTE – This is currently being described as original artwork, “The Head of Perseus”, 1983 by Barry Windsor-Smith. It is a print. Barry still owns the original which is hanging in his studio so don’t believe the auction description — and a big thanks to David Roach and Barry himself for shining a light on this.
A stunning Barry Windsor-Smith very limited proof copy of Morgan LeFay from the height of his Pre-Raphaelite period
“Wonder Woman: Defender of Truth”, limited-edition print by Alex Ross, on canvas
Eagle (Volume 2) Nos. 1-52, bound volume – issues complete without cut coupons, missing value stamps or missing pages
Copies of The Wizard featuring now-notorious issues containing “Sam and Spadger” (1947), featuring outdated Victorian attitudes to indigenous peoples and races. The first iteration of The Wizard was published by DC Thomson & Co, between 1922 and to 1963, prior to being merged with The Rover. “Spadger Isle” ran from 1931, moving to the front page in 1939, finishing with issue No. 1278 in August 1950. One of two lots, the group is accompanied by a copy of the book, Degradation of the Black People in the 20th Century
The Art of Moebius, first print, Epic Books publishing, 1989. A superb presentation of Jean Giraud’s (aka Moebius) influential science fiction and fantasy work with notes and citations by the artist appraising his historical works
Batman #200 featuring the first work on Batman by Neal Adams (1968). Story by Mike Friedrich. Cover art by Neal Adams. Interior art by Chic Stone (ghosting for Bob Kane), inks by Joe Giella
Detective Comics #400 featuring the first appearance of Man Bat (1970 onwards). Story by Frank Robbins, interior art and cover by Neal Adams, inks by Dick Giordano
Star Trek #1 (1984) signed with nine main cast member signatures, Deforest Kelley, William Shatner, Leonard Nimoy, George Takai, James Doohan, Nichelle Nichols, Walter Koenig, Gene Roddenberry, Majel Barret Roddenberry
The Uncanny X-Men #101 featuring the first appearance of the Phoenix (Jean Gray) (Marvel Comics, 1976 onwards)
Working in British comics publishing since the 1980s, his credits include editor of titles such as Doctor Who Magazine and Overkill for Marvel UK, Babylon 5 Magazine, Star Trek Magazine, and its successor, Star Trek Explorer, and more. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics; and has edited several comic collections and graphic novels, including volumes of “Charley’s War” and “Dan Dare”, and Hancock: The Lad Himself, by Stephen Walsh and Keith Page.
He’s the writer of comics such as Pilgrim: Secrets and Lies for B7 Comics; “Crucible”, a creator-owned project with 2000AD artist Smuzz; and “Death Duty” and “Skow Dogs”, with Dave Hailwood.