In Praise of… “Supermousse” Comic Artist Peter Ford

Comic artist Peter Ford may not be a name many fans of British comics may recognise today, but for those of us who grew up in the 1960s and early 1970s, his work remains memorable.

A comic strip ad for "Super Mousse" chocolate bars, art by Peter Ford. More Super Mousse ads on Stand By for Action
A comic strip ad for “Super Mousse” chocolate bars, art by Peter Ford. More Super Mousse ads on Stand By for Action

His credits included humour strips such as “The Munsters” and “Bewitched” strips for the TV Century 21 and Lady Penelope annuals respectively, later episodes of “Perils of Parker” for Lady Penelope comic (initially drawn by Gerry Embleton), the wonderful “Super Mousse” advertising strip for Countdown, and “Dad’s Army” and “Autocat and Motormouse” for TV Action.

He also drew episodes of “Cathy Thompson” for Penelope, the later incarnation of Lady Penelope comic, but I don’t have copies of the relevant issues to know the style he used on those.

An episode of "Autocat and Motormouse" from TV Action Issue 59, drawn by Peter Ford
An episode of “Autocat and Motormouse” from TV Action Issue 59, drawn by Peter Ford
TV Action 123 - Dad's Army by Peter Ford
A typical episode of “Dad’s Army” from TV Action Issue 123, drawn by Peter Ford

However, earlier in his career he drew in a more realistic style, with credits spanning work for DC Thomson’s Commando, as well as illustrating at least some of Hornet‘s “Spotlight On…” features.

Commando 4537 - debut story, Fly Fast, Shoot First! Art by Peter Ford
Commando 4537 - debut story, Fly Fast, Shoot First! Art by Peter Ford
Art from Commando 4537 which reprinted Peter Ford’s debut story for the title, “Fly Fast, Shoot First!”

“He was a great bloke, really friendly,” recalls designer and editor John Egglesfield, who worked with Peter on Zambia’s Orbit comic magazine, drawing numerous items in the early 1970s, which was produced in London.

Those who remember him recall Peter was a powerful, stocky man, of Maori heritage, who grew up in Poplar, London. In addition to his comics career, he was both a judo and school teacher, the latter work including a placing at Daneford Secondary Modern, based in Gosset Street, East London. He later moved from London to live in Leigh-on-Sea with his family.

Sadly, along with his strips for Countdown, his work on Orbit was among his last, as he died suddenly, of a heart attack, on 8th October 1974.

Fellow artist Gerry Embleton, who shared a studio with Peter, recalled him as “a very dear friend of mine when I was in my very early twenties,” memories posted by Matt Emery, editor of the excellent Pikitia Press blog, on a thread about Peter on the RootsChat forum.

“He was a wonderful character, he sang in amateur opera, played the guitar, was a talented cartoonist and comic strip artist, a paratroop instructor, a judo third Dan and ran a school, and was a school teacher. These separate worlds rarely had contact with each other and when he died representatives of his different interests gathered at his funeral and were amazed to discover how wide his interests were.

“He was quite a formidable character having a Polynesian anatomy, very big and powerful, a fierce warrior look when angry and a huge white toothed smile.”

"Jenny Moonga, Health Inspector", drawn by Peter Ford, from Zambia's Orbit magazine
“Jenny Moonga, Health Inspector”, drawn by Peter Ford, from Zambia’s Orbit magazine

“I was a fellow judoka and coach around the Poplar and Stepney area when Peter was teaching judo at the St. Paul’s Way School,” Roy Burgess recalls of ahis fellow British Judo Council member. “We went to several judo tournaments abroad together and it was a great shock when he died suddenly… I am not positive, but I believe that he was 42 at the time.”

His passing was marked on 15th February 1975 with a Martial Arts Tournament in his memory organised by Roy, the proceeds of which were donated to Peter’s wife, Lily and her family.

downthetubes reader Mark Bushell holds Peter in high regard to this day. “I used to go to Peter’s home in West Road, Leigh-on-Sea, for drawing lessons every Thursday night when I was a young teenager, circa 68-69,” he recalls.

“I will never forget arriving for my lesson one evening and being told that he’d just had a massive heart attack and died. I spent many long hours in his studio in the front room of his house in total awe at his drawing skills. He was a wonderful man who gave me so much of his time.

“I recall he used to love seeing if he could sneak images into the backgrounds of his work,” he continues. ”He would use his initials on the roundel markings on warplanes in Commando comics.

“Once, he even included a Triceratops dinosaur charging a small shed with a guy running out of the other side of the shed with his pants around his ankles!” Mark reveals. “The frame was looking down on a Spitfire coming backing from a mission, as if it was a view from a plane above, and the dinosaur was in the field below the plane. As the work was drawn twice up from print size the dinosaur was very small, he used a mapping pen and a desk mounted magnifying glass to draw it.

“I never saw the finished print, but I’m sure it wouldn’t have been visible to the comic readers.

“I’ve had many art teachers over the years, but no one else came close in being able to transfer knowledge like Peter did. Even now, I’m 66 years old and often remember him.”

“Though he was before my time, the ‘extras’ Peter sneaked in to the art were a thing of legend,” former Commando editor Calum Laird tells us. “Various tales were told but I put most of them down as myths. Like the US Civil War soldier standing guard at an RAF base. Most of these were spotted and removed apparently.

“Then, many years later, we started to reprint them and all sorts of details showed up in his art. Graffiti comments on walls or roof beams, shopping lists on secret documents. If you have a reprint (which has better quality printing) of any Peter Ford story, get out your magnifying glass. Maybe you’ll find the dinosaur mentioned in the tribute, maybe not.”

For anyone who remembers “Supermousse” and Peter’s other works, I hope this tribute is a worthy, if small attempt to honour his memory and collate what is known about him for today’s comics community.

• Peter Ford, died 8th October 1974, survived by his wife Lily and daughters Kim, Jane and Jo 

If you recall more of Peter’s work as an artist, please do let us know.

With thanks to Norman Boyd, Mark Bushell, John Egglesfield, Matt Emery, Peter Gray, Steve Holland, Phil Rushton, Lew Stringer, Shaqui le Vesconte and others who have documented Peter’s comics career

This article was updated on Wednesday 8th June 2022, to add Mark Bushell’s memories of Peter

The founder of downthetubes, which he established in 1998. John works as a comics and magazine editor, writer, and on promotional work for the Lakes International Comic Art Festival. Working in British comics publishing since the 1980s, his credits include editor of titles such as Doctor Who Magazine, Star Trek Explorer (previously known as Star Trek Magazine) and more. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War and “Dan Dare”. He’s the writer of "Pilgrim: Secrets and Lies" for B7 Comics; “Crucible”, a creator-owned project with 2000AD artist Smuzz; and “Death Duty” and “Skow Dogs” with Dave Hailwood.



Categories: British Comics, Comic Creator Spotlight, Creating Comics, downthetubes News, Features

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2 replies

  1. In addition to the Countdown and TV Action strips you mentioned Peter Ford also contributed a strip based on The Secret Service in Countdown issues 4 to 7. There was also a strip of that programme in the Countdown Annual 1972 which, although uncredited, looks like Peter Ford’s work as well.

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