Plymouth College of Art alumni Sayra Begum is one of the ten comic creators commissioned as part of Ten Years to Save the World, a British Council supported project that is one of a number of creative commissions in response to climate change and COP26. The project hopes to demonstrate how the comics medium can stimulate climate change action through the creation of a comic digital anthology.
Sayra’s strip for the anthology is called “A Monkey’s Guide to Deforestation“.
Ten Years to Save the World is a partnership between the Lakes International Comic Art Festival, KOMIKET (based in the Philippines) and Manchester-based communications agency Creative Concern, which specialises in sustainability, advised by Dr Chris Jones from the Tyndall Centre for Climate Change Research at the University of Manchester.
The organisers have commissioned ten internationally-recognised comic and graphic artists, five from the Philippines and five from the UK, to represent the diversity and quality of the medium.
The Ten Years to Save the World comic anthology will be a collection of 10 comics, of various lengths and forms, to represent each of the ten years left to save the world and to enable society to tackle different issues and different climate actions. The project will be simultaneously launched in the Philippines and the UK as part of the build-up to COP26.
An exhibition of the comics opens at SeeSaw in Manchester, from 1st – 12th November 2021, following on from an exhibition that was part of this year’s Lakes International Comic Art Festival.
“The organisers at LICAF selected the five UK artists,” Sayra Begum explains, “to bring variety to the project, with different styles as well as approaches. We were given a brief with the conversations the young people had with Creative Concern and then we all went in our different directions.
“My hope is to encourage action,” she adds. “Less talk, more action.
“For my specific comic, ‘A Monkey’s Guide to Deforestation’, I want to see zero deforestation in our supply chain. It’s not just down to us as consumers but retailers, supermarkets and the finance industry to ensure that no goods linked to deforestation end up in our supply chain or finance it in the first place.
“And as the monkey states on the last panel, we need to eat less meat as this is a major driver of deforestation, but people don’t usually want to hear this. According to Global Witness, the land used to produce UK imports of commodities associated with deforestation has been shown to take up almost the size of the UK itself. I think this says a lot about our consumption habits.”
Sayra graduated from BA (Hons) Illustration at Plymouth College of Art in 2014, where she discovered graphic novels in the university library. She credits Craig Thompson’s Blankets and Marjane Satrapi’s Persepolis as having a significant influence on her creative journey, before going on to complete her Masters in Illustration: Authorial Practice at Falmouth University in 2016.
Last year, she returned to work with students at Plymouth College of Art, discussing how she took a student project and developed it into a published book, as well as revealing strategies that she employed to use personal narrative in her work.
The college is holding an Open Day on Saturday 13th November 2021 for anybody interested in finding out more about studying BA (Hons) Illustration like Sayra or one of the college’s other creative BA (Hons) or Extended BA degrees.
Sayra’s first graphic novel, Mongrel, was released in August 2020, published by Knockabout Comics, and supported by Arts Council England. Mongrel tells the story of a British Muslim woman who grew up in-between two cultures. She challenges conventions and looks beneath the surface to celebrate differences and reveal the common humanity.
Respected UK comic-book critic Joe Gordon described Mongrel here on downthetubes as “a beautiful and emotionally honest work”, while Andy Oliver from Broken Frontier said “Mongrel is an impressive and assured debut work from a new voice with a keen understanding of the singular opportunities and intricacies of comics narrative.”