Heritage Auctions hosted what it describes as “the most successful comics auction ever held” over the weekend, with sales realising a staggering $27,674,844 (£21,236,153), an eve that included art by Dave Gibbons for 2000AD and DC Comics.
The four-day April 7-10 Comics & Comic Art Signature Auction kicked off its with a few record-setting, international headline-making marvels starring Captain America and the Fantastic Four, but the record breaking sales then just kept coming.
The four-day event was, in every sense, a tale to astonish. Nearly 6000 bidders from around the world participated in the auction,and every single one of the 1766 lots offered was sold – every historic issue, every singular work of art, every ephemeral keepsake (including Warren Publishing’s accounting ledger, spanning 1968-1972).
The final number was split almost evenly between comic books and original art. No auction has ever before approached the $14,040,290 (£10,782,240) realised by the art alone sold during the four-day event.
“Interest in vintage comics and comic art is at an all-time high, with so many people discovering or re-discovering the hobby over the last two years,” says Heritage Auctions Vice President Barry Sandoval. “And our January auction clearly paved the way for this one.
“Bidders saw earlier this year that anytime something special came up, only an ultra-aggressive bid would win the day,” he continued. “Three months later they came prepared to go to the mat for the exceptional items, of which there were many.
“In fact, numerous items in this auction had been in the collections of their owners for a long, long time. Some were just waiting for the right time to sell, and the results confirm that their timing was impeccable. More than 50 consignors to this auction saw their totals hit $100,000 or more.”
Straight off, the auction garnered headlines spanning the globe, from The New York Times to New Delhi, when Thursday’s first session resulted in a sale that continues to make news: A near-mint copy of 1941’s Captain America Comics No. 1, by Jack Kirby and Joe Simon, sold for $3,120,000 to become the fourth-most expensive comic book ever sold at auction. Super soldier Steve Rogers joined Spider-Man and Superman as the only superheroes whose debuts have sold for more than $3 million.
Another Kirby co-creation, The Fantastic Four, likewise clobbered its way to the top, as a CGC NM- 9.2 copy of the superteam’s 1961 debut sold for $1.5 million, marking the first time Mr. Fantastic, Invisible Girl, the Human Torch and The Thing’s introduction has ever crossed the million-dollar mark. It was also the second-highest price ever paid for a non-Golden Age comic.
And yet another Kirby landmark reached a record sale price on Thursday, when a near-mint copy of 1962’s Journey Into Mystery No. 83 – the book that introduced the God of Thunder himself, Thor – sold for $432,000.
That was more than twice the book’s previous high reached seven years ago.
Cap and Kirby set another auction record during that first session, when the splash page from August 1964’s Tales of Suspense No. 59, Captain America’s first solo Silver Age story, sold for $630,000. That was the highest price ever paid at auction for a “King” Kirby original, toppling the previous record set last year when the cover for Fantastic Four No. 86 realised $480,000.
Heritage offered the entirety of the 10-page story to kick off the four-day auction, the first time the whole work had ever been to market. The 10 pages sold for a combined $975,600.
Another piece crossed the half-million-dollar mark during that first session: Frank Frazetta’s “Tyrannosaurus Rex” cover painting for the 1969 novel Orn, which sold for $504,000. And the very first painting from the Richard Corben Estate to come to auction, the original poster art for the 1981 film Heavy Metal, sold for $288,000.
That’s the same price realised by the 1939 Superman Comics ashcan, a prototype so rare even DC Comics doesn’t have one in its vaults.
But Day One of the auction proved to be a warm-up for what followed.
Friday’s comic-art session saw Jim Lee and Scott Williams’ action-packed page from Uncanny X-Men No. 271 sell for $360,000. The Wolverine-dominated work opened live bidding at $55,000, but collectors quickly brandished their claws, and when the dust settled, it proved a new record for an interior page by Lee, who is now DC Comics’ Chief Creative Officer.
Collectors also went MAD for an original Harvey Kurtzman cover from 1954 – not surprising at all, since Kurtzman’s covers are extraordinarily rare to begin with, and this delightful piece from MAD No. 9 had never before been to auction. Both factors led to the record-setting result of $264,000, the highest price ever realized for a work by this comics legend.
That was the same amount realized for another astonishing rarity that surfaced in this auction: Frank Miller‘s cover art for Book Three of his revolutionary mini-series The Dark Knight Returns. Featuring Miller’s new Robin – 13-year-old Carrie Kelly – crouched beneath the Bat-Signal, this is nothing short of a historic offering from the landmark title that finally and fully transformed Batman’s Caped Crusader into The Dark Knight and irrevocably altered the character, comic books, cinema and popular culture.
From the rebirth of Batman to The Death of Superman, whose 1993 trade-paperback cover is among the memorable images in modern comic-book history. Jon Bogdanove’s original artwork from that best-selling collection sold for $204,000.
British artists held their own in terms of appreciation, too. Sold for $105,000, for example was Dave Gibbons Superman Annual #11 Splash Page 4, (DC, 1985). A shocking title splash page featuring Wonder Woman, Batman, and Robin arriving at the Fortress of Solitude to celebrate Superman’s birthday, only to find that he’s become mentally (and emotionally) enslaved by the parasitic flora known as the Black Mercy.
Written and illustrated by the creative team behind the critically acclaimed Watchmen (Alan Moore and Dave Gibbons), “For The Man Who Has Everything” is a haunting tale about the agony that comes from losing that which you love the most.
A page of his “Dan Dare” art for 2000AD sold for a more modest $2,160, but there was enough interest in a back cover Doctor Who artwork, for Marvel Comics US reprint Doctor Who #1, eaturing Tom Baker as the maverick Time Lord to push the sale price of that piece to $8,100.
But it wasn’t just the iconic images that sparked bidding wars throughout this four-day event: 1981’s Spider-Man and his Amazing Friends was Marvel’s comic-book adaptation of NBC’s Saturday-morning cartoon. But the price realised for John Romita Jr. and Al Milgrom’s original cover for the first issue cost just a little more than our 1981 allowance: $168,000.
• For the complete results from Heritage Auctions’ April 7-10 Comics & Comic Art Signature® Auction, click here
Heritage Auctions is the largest fine art and collectibles auction house founded in the United States, and the world’s largest collectibles auctioneer. Heritage maintains offices in New York, Dallas, Beverly Hills, Chicago, Palm Beach, London, Paris, Geneva, Amsterdam and Hong Kong.
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The founder of downthetubes, which he established in 1998. John works as a comics and magazine editor, writer, and on promotional work for the Lakes International Comic Art Festival. He is currently editor of Star Trek Explorer, published by Titan – his third tour of duty on the title originally titled Star Trek Magazine.
Working in British comics publishing since the 1980s, his credits include editor of titles such as Doctor Who Magazine, Babylon 5 Magazine, and more. He also edited the comics anthology STRIP Magazine and edited several audio comics for ROK Comics. He has also edited several comic collections, including volumes of “Charley’s War” and “Dan Dare”.
He’s the writer of “Pilgrim: Secrets and Lies” for B7 Comics; “Crucible”, a creator-owned project with 2000AD artist Smuzz; and “Death Duty” and “Skow Dogs” with Dave Hailwood.
Categories: 2000AD, Art and Illustration, Auctions, Comic Art, Comics, downthetubes Comics News, downthetubes News, Events, US Comics
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